Sunday, February 28, 2010
i have no idea how many strings i've twisted. maybe like... 60? 70?
all's i know is that the ball no longer fits well in the rancor's hand... and it makes him feel inadequate. it's kind of weak, since i was making tally marks. how hard is it to make a tally mark? i don't even remember neglecting to do so. was there a string i twisted and i was going to make the mark in the book, but i was like 'ah, screw it!'?
i also know that whenever i stop twisting from the cone of doom, i'm really going to miss the way the strands look after you tie the loop. it reminds me of a buddhist mala (though i'll grant you, a lot of things do... because i'm pretty flaky).
also noteworthy is the fact that i 'compared cones' (god that sounds dirty) with john higby last week, who has one of the old tom kuhn spools (both the smaller one and one of the enormous ones), and although the tk stuff is type 8, it feels exactly like this stuff in terms of its rigidity and spring-factor.
i'm a little concerned because i can't really make out any discernible change in the overall size of the cone. i mean, i don't twist a ton of strings (i timed one last week and it lasted for at least 6 hours of play)... but it looks pretty much just as massive and daunting as when i first received it. i guess since it's cylindrical, as it unwinds, the width will start to diminish more rapidly over time. is that right? i'm not like a math teacher or anything.
Sunday, February 14, 2010
This almost seems counter-intuitive for this project. But the roots lie in enjoying every throw.
Instead of throwing the yo-yo like you always do, then dealing with the sometimes sub-par performance, why not make the actual throw more fun?
I don't have a lesson here, and I'm not really expecting this to change the world. I just want to do simple, cool yo-yo tricks.